Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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william r clark
carsten niebuhr var den ende av fem danskar som kom levande fran en resa till arabien ar 1761

ID: 59256

william r clark carsten niebuhr var den ende av fem danskar som kom levande fran en resa till arabien ar 1761
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william r clark carsten niebuhr var den ende av fem danskar som kom levande fran en resa till arabien ar 1761


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william r clark

1829-1912  Related Paintings of william r clark :. | conways expedition matte upp kartlade flera av de stora glaciarerna runt k2,det nast hosta berget i varlden. | mount whiney isydandan av sirra nevada bestegs forst 1873 av tre fiskare. | svart sjuk och utmattad av ett langt hart hart liv | brittiska valfangare i arbete pa gronland omkring 1720 | james cook var mer intrsserad av vetenskapen an av att bygga upp ett imperium |
Related Artists:
Luis Tristan
Toledo ca ,1585-1624
Jan Olis
painted Frohliche Gesellschaft in 1644
Jacopo Robusti Tintoretto
1518-1594 Italian Tintoretto Galleries The real name of Tintoretto was Jacopo Robusti, but he is better known by his nickname, meaning the "little dyer, " his father having been a silk dyer. The artist was born in Venice and lived there all his life. Even though his painting is distinguished by great daring, he seems to have led a rather retired life, concerned only with his work and the well-being of his family. His daughter Marietta and his sons Domenico and Marco also became painters, and Domenico eventually took over the direction of Tintoretto's large workshop, turning out reliable but un-inspired pictures in the manner of his father. Some of them are, on occasion, mistaken for works of the elder Tintoretto. Tintoretto appears to have studied with Bonifazio Veronese or Paris Bordone, but his true master, as of all the great Venetian painters in his succession, was Titian. Tintoretto's work by no means merely reflects the manner of Titian. Instead he builds on Titian's art and brings into play an imagination so fiery and quick that he creates an effect of restlessness which is quite opposed to the staid and majestic certainty of Titian's statements. If Tintoretto's pictures at first sight often astonish by their melodrama, they almost inevitably reveal, at closer observation, a focal point celebrating the wonders of silence and peace. The sensation of this ultimate gentleness, after the first riotous impact, is particularly touching and in essence not different from what we find (although brought about by very different means) in the pictures of Titian and Paolo Veronese. Tintoretto was primarily a figure painter and delighted in showing his figures in daring foreshortening and expansive poses. His master in this aspect of his art was Michelangelo. Tintoretto is supposed to have inscribed on the wall of his studio the motto: "The drawing of Michelangelo and the color of Titian." Unlike Michelangelo, however, Tintoretto worked and drew very quickly, using only lights and shadows in the modeling of his forms, so that his figures look as if they had gained their plasticity by a kind of magic. In the rendering of large compositions he is reported to have used as models small figures which he made of wax and placed or hung in boxes so cleverly illuminated that the conditions of light and shade in the picture he was painting would be the same as those in the room in which it was to be hung.






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