1829-1912 Related Paintings of william r clark :. | wilson fangade med stor inlevelse dramatiken och ogastvan ligheten i polarlandskapet i manga av sina skissr ovan ses en isformation pa rossons strand | wills som dukade under av utmattning under aterfarden fran kusten i norr tillbring ade sina sista dagar i en sadan har mia mia infodingshydda, soder o | tva ar senare flog fransmannen fean pierre blanchard och amerikanen fohn feffries aver engelska kanalen fren dover till en punkt nara calais | amerikanen charles hall dog av hjartslag,da han forsta gangen forsokte na nordpolen 1871 | livingstone betraktade sig sjalv som i forsta hand missionar,men han var anda en av de storsta forskningsranena i afrika | Related Artists:
COPPO DI MARCOVALDOItalian Byzantine Style Painter, ca.1225-1274
Master of the Saint Ursula LegendFlemish Northern Renaissance Painter, active 1475-1500
Cosimo Tura1430-95
Italian Cosimo Tura Galleries
Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara.
Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles.
In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity.
He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.